“Signs are always produced and consumed in the context of a
specific society”
“In the western world we live in a society that is largely
mechanistic and consumerist in outlook…we often use the mechanistic and
consumerist metaphors that reflect the dominant views of our society.”
“Human beings…feel the need to tell stories.”
Key Semiotic Concept:
- · Sender (who)
- · Intention (with what aim)
- · Message (says what)
- · Transmission (by which means)
- · Noise (with what interface)
- · Receiver (to whom)
- · Destination (with what result)
Signifier represents the signified
Signifier is caused by the signified
The meaning of a symbol relates to the nature of the object.
We need to know what the symbol stands for in advance if we are to understand
it.
“It is hard not to be influenced in our judgements by what
we take to be the intention behind it.”
“Messages are always transmitted through a medium. The
medium carries the message from the sender to the receiver.
The medium may be:
- Presentational: through the voice, the face (or parts of the face) or the body (or parts of the body).
- Representational: through paintings, books, photographs, drawings, writings and buildings.
- Mechanical: through telephones, the internet, television, radio and the cinema.
“There are numerous devices that we can employ to produce
meanings of a non-literal kind: simile, metaphor, metonym, synecdoche, irony,
lies, impossibility, depiction and representation. All of these concepts can
help us to produce new insights into the meanings of objects, images and
texts.”
“When one thing is closely associated with – or directly
related to – another, it can be substituted for it so as to create meaning…
When one thing is substituted for another in a piece of communication we call
it a metonym. Metonyms use indexical relationships to create meanings.”
“What is literally possible sets a limit for us.
Possibilities (and impossibilities) that go beyond what is literal are rather
less limited. In fact, it might be said that contemplating impossibilities is
actually liberating, both intellectually and imaginatively.”
“What is fascinating about children is that while they are
often literal in their approach to perception, they are naïve as regards the
conventions of representation. This means that they may devise highly creative
forms of representation that as adults we would never consider.”
“Stories always change in the telling. The facts may be
altered, the characters improved, the details enhanced and the chronology of
the events changed.”
“Turning-points consist in key moments when something occurs
that brings about a change. In narratives this usually requires there to be a
significant contrast between that which happened before a set of events and
that which will happen after that. Often the turning-point is spectacular,
exciting or extraordinary.”
“In stories, as in life, we want things to be resolved. In
wanting resolution we might say that we fetishize the idea of things having
endings… In wishing for these things to be resolved, though, we should not
forget the value of the journey that takes us to the resolution itself… In
fact, even when we reach the destination we may sometimes find ourselves
miraculously back at the beginning.”
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